Posts

Spiekermann quote idea

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"A typographic designer starts from the word up; a graphic designer starts from the picture down"  - Erik Spiekermann This first effort was a bit big and obnoxious so I went back to the drawing board 

Fashioning the industry - Rob Boyd

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A couple of weeks ago I emailed a portfolio to Rob Boyd as a reply to an open call for type orientated graphic designers. It was a nice affirmation for him to ask for one based on my Instagram profile but I haven't heard back from him so I'm assuming he wasn't interested as he knows were to find me. Rob is a fashion designer with a passion for technical wear, I have been following him for a while and free like I could provide some interesting designs for his specific industry. He was asking for logotype work for 'soar' a running brand for whom he is the chief designer. With this in mind, I compiled a custom portfolio to send to him with a rethink of a tiny personal brief that I did over summer for my dads running club. This practice in tailoring a portfolio for a very specific industry is a useful development for me and hopefully, I will be in his mind a tiny bit even if my work wasn't right for the call in question. Here are some Instagram screenshots and t

Fashioning the industry - Prospective work with Cal Beasley

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For a while, I have been exchanging pleasantries with SE London artist and videographer Cal Beasley. Cal has worked with a host of streetwear industry names from Nike to Samuele Ross to Liam Hodges. I understand he works as an assistant to Will Reid on shoots. Will does photography for one of my collaborators/clients from this year DENIAL so I presume this is where the connection started. I am a fan of Cals work and recently was invited to participate in a publication he is compiling featuring images of creative in quarantine, so I obliged a somewhat cringe image of myself for the publication and asked if he'd be down for some collaborative work in summer. I think the fact that Cal is linked to Liam Hodges whose name keeps coming up through different projects is a good omen and I'd love to work for Liam one day, perhaps with Lou Alsop if that comes up. Anyway, any project with Cal is as yet unconfirmed and I need to set the ball rolling with ideas as I was the one who suggested

36 days of type bonus - &

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As a quarantine bonus the organisers have added an extra character to symbolise togetherness. With lots of stuff on I didn't have much time to produce this surprise edition so I just did some quick research confirming the etymology the ampersand before getting sketching with a 6mm pen. "& is for ampersand - a quick entry for the bonus round. Originally the 27th letter of the Latin alphabet, derived from the ‘et’ ligature used in cursive writing"

@36daysoftype - project round up and evaluation

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@solchadwick By today we had to submit a summary of our 36 characters from start to finish. My set was eclectic and colourful as I had set out for with an interesting set of visual trends that picked up intermittently throughout either through unconscious design or coincidence. I displayed the full 36 on one tile, then a spelt out message 'THANK YOU 36 D.O.T" and then my top 3 most liked posts. Coincidentally 2 of the 3 top liked came from the set of number, maybe a reflection of my growing confidence, experimentation and time committed as the project progressed.  I think my response did certainly increase in complexity as the days passed and there were certainly some lulls in the middle as it became tricky to maintain a certain standard. I also found that attaching the letterforms to certain artists or movement and then tagging said artist/movement helped to generate likes from non-followers. I certainly found myself becoming increasingly immersed in the production of each

36 days of type - 9 FIN

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This is now the 36th day that I've woken up and been filled with dread and excitement as I scrambled around for research and prepared a response for 36 days of type. Today was the turn of the number 9 which I would ordinarily form by flipping a 6 and performing some minor adjustments but today, of course, I had to go out on a solid level and make sure the quality (which I think has been exceptional throughout the numbers) doesn't drop. This thought, however, can put a lot of pressure on and today, like any other, I felt at times that the number was largely shit. I was a little worried about my choice of number as it dates back to a similar era as most of the letters but I think the style itself has such strong connotations of an era Scifi era that its pretty transient across time. Time, however, was the reason that linked Futurism to the number 9 as I found out the movement was conceived in 1909. Credited to an Italian poet called Filippo Tommaso Marinetti who released his Ma