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36 DOT - V

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V was fairly set in stone with Venetian or Vitra written down as possibilities. Vitra was supposed to represent Bauhaus era chairs because I went to the Vitra design museum in Switzerland and they had a lot of lovely modernism, however, upon further I found that Vitra itself is only inspired by Bauhaus era and hold a large archive of chairs for inspiration and because the founders were collectors. Therefore it was back to Venetian type, I know I touched on this field a little earlier on in the series as I went for serif humanism for my H but Venetian typography refers more especially to the renaissance perspective from one of its birthplaces Venice. Also known as Antiqua, Venetian spring up in the late 1400s, replacing blackletter as a standardised typestyle that imitated handwriting. It was of uniform thickness and thus appeared quite dark on paper. The humanist writing of Italian scholars of the Renaissance served as a model for what is now known as the Venetian style. Nicolas ...
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Visiting professionals - Jaywing

VMC live brief Jaywing deal with data science and the design of technical data Data for intelligent and intuitive branding Hull 2017, Dominos AI targeted advertising, Edinburgh Hogmanay, university of Sunderland, VMC are the client - Visual media conference 2021 branding A conference for a wide range of 300 industry professionals 2020 - fake it or make it - revealing truth and authenticity in a false digital world Applied to insta, emails, website, any printed materials, 2021 brief: Pick a theme from: Future connections, post-purpose brand,
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36 days - W

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W is a trickly letter to find something interesting on and therefore the two terms I lined up were quite generalist. Out of web and weight, I eventually plumped for weight due to the enormous range of possibilities and the fact that web sounded really boring. The research was fairly limited due to weight being such a basic principal: "The  weight  of a particular font is the thickness of the character outlines relative to their height. A typeface may come in many weights, from ultra-light to extra-bold or black. Four to six weights are not unusual, and a few typefaces have as many as a dozen" Instead of creating a letterform that was either bold or light I decided it would be nice to create something that displayed heavy contrast between constituting geometries and joining lines. Focusing on silhouette as the primary concern I started to sketch out some ideas. Finding the bottom right sketch visually satisfying with its three equal bell triangles making a simplist...
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